Issues : Annotations in FES
b. 8
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composition: Op. 27 No 2, Nocturne in D♭ major
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In A Chopin placed the small quavers more or less in the middle between the g flat3 crotchet and the c2 semiquaver, not taking particular care to position that group in any relation to the semiquavers in the left hand. That notation was basically copied in the editions, yet in GE, and especially in FE the group was clearly moved towards the beginning of the bar, which could in itself suggest a faulty interpretation. category imprint: Differences between sources issues: Annotations in teaching copies , Synchronization markings , Annotations in FES |
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b. 11
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 13
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composition: Op. 27 No 2, Nocturne in D♭ major
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The sequence of numbers of the fingering written into FES of the augmented unison a flat2-a2 may suggest the use of the 4th finger for a flat2, and the 2nd for a2. As Chopin undoubtedly had in mind the natural position of the hand, we match the fingering to the graphic layout of the notes. category imprint: Interpretations within context; Differences between sources |
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b. 14
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |
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b. 15
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composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources |