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Op. 27 No 2, Nocturne in D♭ major

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Fingering

b. 54

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering of  FEJ

 

No fingering suggested
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEJ

b. 55

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering written into FED

No fingering for teaching purposes suggested
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 60

composition: Op. 27 No 2, Nocturne in D♭ major

No fingering for teaching purposes

Fingering written into GET

FES

FED

A combination of complementary entries
..

The numerals entered into the three teaching copies surely describe one fingering (Chopin's), so we give all of them combined in the main text.  

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in GET

b. 66

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering written into  FES

No fingering for teaching purposes provided
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 70-71

composition: Op. 27 No 2, Nocturne in D♭ major

A more precise version of the fingering in GET

Fingering written into FES, bar 73

Fingering in FED

Complementary fingerings combined

Version without teaching fingering
..

In the main text we give the fingering collected from complementary entries in GET, FED and FES (the entry in FES relates to an analogous fragment in bar  73 – cf. General Editorial Principles, p. 17). The numeral 5 entered in GET over the second semiquaver of bar 71  definitely means the change of fingers on the a flat2 crotchet, and therefore we add a tiny slur next to it.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in GET