Issues : Synchronization markings

b. 35-36

composition: Op. 27 No 2, Nocturne in D♭ major

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Written into FES are six signs showing the rhythmic relation between the two hands more precisely. As the source notation contains no  ambiguities here, the signs are simply learning tips for the pupil to be used during lessons. Cf. bars 38-40.

category imprint: Differences between sources

issues: Synchronization markings , Annotations in FES

b. 36

composition: Op. 27 No 2, Nocturne in D♭ major

A synchronization mark written into FED

No tip provided

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Another mark in FED  indicating that the grace note should be performed simultaneously with the bass note.

category imprint: Differences between sources

issues: Annotations in FED , Synchronization markings

b. 38-40

composition: Op. 27 No 2, Nocturne in D♭ major

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Although the notation of the source is clear, there are as many as five signs in FES that show in a detailed manner the rhythmic relations of both hands. Those signs are probably meant to facilitate the a vista playing through showing the synchronization of the L.H. and the R.H. part. Cf. bar 35-36.

category imprint: Differences between sources

issues: Synchronization markings , Annotations in FES

b. 51

composition: Op. 27 No 2, Nocturne in D♭ major

A synchronization mark in FES

No mark entered

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The marks entered in FES (a line and a cross) point to the moment of beginning of the run that ends the trill.

category imprint: Differences between sources

issues: Annotations in teaching copies , Synchronization markings , Annotations in FES