Issues : Annotations in FED
|
b. 28
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
The additions in FED and FEFr may be regarded two versions of the same musical idea - syncopations in FEFr show the rubato performance of the quavers in FED. category imprint: Differences between sources; Corrections & alterations issues: Annotations in FED , Annotations in FEFr , Authentic post-publication changes and variants |
||||||||||||||||||||
|
b. 33
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Annotations in FED , Synchronization markings |
||||||||||||||||||||
|
b. 36
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
Another mark in FED indicating that the grace note should be performed simultaneously with the bass note. category imprint: Differences between sources issues: Annotations in FED , Synchronization markings |
||||||||||||||||||||
|
b. 45-46
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
In particular sources, dynamic markings in those bars differ significantly. The version of A reproduced – despite various inaccuracies - in GE (→FE→EE) was later fundamentally changed, which can be seen in energetic deletions and additions in teaching copies and FEFr. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Annotations in FES , Annotations in FEFr , Authentic post-publication changes and variants , Annotations in FEJ |
||||||||||||||||||||
|
b. 48
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
The sign written into FED most probably means some extra emphasis on the note c flat2 realized through a slight delay in striking it. It may be interpreted as shortening of the slur leading to that note. category imprint: Differences between sources |
