Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 27 No 2, Nocturne in D♭ major
Theoretically, one could treat the repetition of a flat1 as intended and the tie added in FED and FES as connected with the altered idea of dynamics for the recurring theme. In our opinion, however, accidental omission of the tie by Chopin in A is much more likely. In any case, both those two additions and the tie supplemented by Franchomme in FEFr leave no doubt as to the composer's ultimate intention.
The adding of the tie in EE is the effect of revision based on the analysis of analogous places in the text (bars 3 and 47).
category imprint: Differences between sources
issues: EE revisions, Errors of A
notation: Rhythm
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