Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 27 No 2, Nocturne in D♭ major
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Covering only two thirds with the slur, as visible in A, might reflect the manner of performing that motif as foreseen by Chopin. However, it does not seem very likely when we take into account other elements of the notation: the accent above f2-a flat2 and a short rhythmic value of the last third e flat 2-g flat2.Therefore we tend to consider the slur in A to be inaccurate, just like the two preceding ones in that bar
category imprint: Differences between sources
issues: Inaccurate slurs in A, Authentic corrections of GE
notation: Slurs
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