Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 27 No 2, Nocturne in D♭ major
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The analysis of the notation of those two slurs in A reveals that the first one, which initially embraced only the triplet, was lengthened by Chopin to cover one more beat. The engraver of GE (→FE→EE) disregarded that nuance and adjusted the gap between the slurs to the gap between the beams.
category imprint: Differences between sources; Corrections & alterations
issues: Inaccuracies in GE, Corrections in A
notation: Slurs
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