![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors in FE
b. 33
|
composition: Op. 16, Rondo in E♭ major
..
The missing b
Due to this reason, we suggest adding that note in the main text. category imprint: Editorial revisions issues: Errors in FE |
|||||
b. 48
|
composition: Op. 16, Rondo in E♭ major category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Omission of current key accidentals , Errors repeated in GE , Errors repeated in EE |
|||||
b. 49
|
composition: Op. 16, Rondo in E♭ major
..
The f3 note, present in FE (→GE,EE) as the 6th semiquaver of the bar, interferes with the regularity of the figuration and is most probably erroneous. It is confirmed by a most probably Chopinesque correction in FEJ. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Errors in EE , Errors in GE , Annotations in FEJ |
|||||
b. 55
|
composition: Op. 16, Rondo in E♭ major
..
We add pedalling, overlooked probably by the engraver of FE or Chopin in [A]. The need for marks in this place seems to be obvious due to the harmonic change in the middle of the bar. There is a similar situation in bar 63. category imprint: Editorial revisions issues: Errors in FE , Errors in EE , Errors in GE |
|||||
b. 55
|
composition: Op. 16, Rondo in E♭ major
..
In the sources, the octave sign does not encompass the grace note, as a result of which, when interpreted literally, it is a b category imprint: Interpretations within context issues: Errors in FE , Errors repeated in GE , Errors repeated in EE |