Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Pitch

b. 156

composition: Op. 16, Rondo in E♭ major

..

We add cautionary naturals before g2 and c3 in the main text.

category imprint: Editorial revisions

b. 163

composition: Op. 16, Rondo in E♭ major

..

We add a cautionary  next to d2. The accidental was added also in GE.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 169

composition: Op. 16, Rondo in E♭ major

..

We add cautionary naturals before d2 and d in the main text.

category imprint: Editorial revisions

b. 172

composition: Op. 16, Rondo in E♭ major

..

In the main text, we add naturals before the 1st and 3rd semiquavers of the 2nd half of the bar (a2 and e3). The absence of accidentals in such a configuration was not considered a mistake back in Chopin's times – the accidentals from the 1st half of the bar, although they refer to a1 and e2, were considered to be valid also in the case of a2 and e3 in the further part of the bar, encompassed with an octave sign.

category imprint: Interpretations within context; Editorial revisions

issues: Accidentals in different octaves , Inaccuracies in FE

b. 173

composition: Op. 16, Rondo in E♭ major

..

In FE (→EE1), there is no  restoring c3. The unquestionable oversight, probably repeated after [A], was corrected in GE and EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in EE