Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 16, Rondo in E♭ major
In the main text, we add naturals before the 1st and 3rd semiquavers of the 2nd half of the bar (a2 and e3). The absence of accidentals in such a configuration was not considered a mistake back in Chopin's times – the accidentals from the 1st half of the bar, although they refer to a1 and e2, were considered to be valid also in the case of a2 and e3 in the further part of the bar, encompassed with an octave sign.
Compare the passage in the sources »
category imprint: Interpretations within context; Editorial revisions
issues: Accidentals in different octaves, Inaccuracies in FE
notation: Pitch
