Issues : Errors in EE
b. 163-164
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composition: Op. 16, Rondo in E♭ major
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Leading the L.H. slur until the beginning of bar 164 is much less justified than in the case of the R.H. slur due to the over two-octave f1-E leap. Therefore, it is quite likely that it is the slur added in EE3 that corresponds to Chopin's intention – the engraver of FE could have been under the influence of the R.H. slur while interpreting the slur of [A], perhaps written with a flourish. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 200
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composition: Op. 16, Rondo in E♭ major
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The missing accent was certainly overlooked by the engraver of EE1 (→EE2). An accent – a short one – was added in EE3. category imprint: Differences between sources issues: Long accents , EE revisions , Errors in EE |
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b. 227
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composition: Op. 16, Rondo in E♭ major
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In FE, there are no accidentals whatsoever in this bar. It is undoubtedly an error commited possibly by Chopin in [A] – cf. Etude in F minor, op. 25 no. 2, bar 56. Accidentals were added in both GE and EE: category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Omission of current key accidentals |
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b. 230
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composition: Op. 16, Rondo in E♭ major
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The engravers of GE and EE overlooked the ending of the slur in the L.H. while transitioning to a new great stave (bar 230 opens a new line). It belongs to the most frequent mistakes. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in EE , Errors in GE , Uncertain slur continuation |
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b. 235
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composition: Op. 16, Rondo in E♭ major
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The missing hairpin in EE1 (→EE2) is a mistake of the engraver. The mark was added only just by the reviser of EE3. category imprint: Differences between sources issues: EE revisions , Errors in EE |