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Pedalling

b. 220-225

composition: Op. 16, Rondo in E♭ major

No pedalling in FE (→GE,EE)

Pedalling suggested by the editors

..

We consider the missing pedalling in FE (→GE,EE) in bars 220-225 to be an inaccuracy of notation, even though it was probably omitted by Chopin himself. We suggest adding markings patterned after the analogous bars 52-54, 231 and 56-57 (we include markings from bar 231 instead of the most probably inaccurate pedalling of bar 55).

category imprint: Differences between sources

b. 260-262

composition: Op. 16, Rondo in E♭ major

Pedalling in FE (→GE,EE)

Our alternative suggestion

category imprint: Editorial revisions

b. 282-283

composition: Op. 16, Rondo in E♭ major

No mark in FE

in bar 282 in GE

in bar 283 in GE

[] in bar 282 suggested by the editors

..

We add the pedal release mark overlooked in FE – it is most probably a mistake of the engraver. The inaccuracy was corrected also by the revisers of GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 357-358

composition: Op. 16, Rondo in E♭ major

in bar 358 in FE (→GE)

in bar 357 in EE

..

In EE, the ​​​​​​​ mark was placed a bar too early. It is difficult to determine whether it is a mistake of the engraver or an intended revision.

category imprint: Differences between sources

issues: EE revisions , EE inaccuracies

b. 360-368

composition: Op. 16, Rondo in E♭ major

after 4th quaver in FE (→EE)

on 4th quaver in GE

..

In GE is under the 4th quaver. It is an inaccuracy resulting from an inept layout of text – the last quaver is placed next to the bar line. There is a similar situation in bar 364 and 368 although in the latter the inaccurate placing of the marking cannot be explained by the layout. See also bars 384-385.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions