mUltimate Chopin

Op. 16, Rondo in E♭ major

Text Compare Notes Sources Description

Issues : EE revisions

b. 326

composition: Op. 16, Rondo in E♭ major

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In FE (→EE), there are no naturals raising the A1-A octave to A1-A in the L.H. and the 3rd a​​​​​​​ semiquaver to a in the R.H. The mistake, patent in this context (cf. analogous bar 328), was corrected in GE and EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Last key signature sign , Errors repeated in EE

b. 328

composition: Op. 16, Rondo in E♭ major

Slur to 3rd semiquaver in FE

Slur to 4th semiquaver in GE & EE
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category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 334

composition: Op. 16, Rondo in E♭ major

Slur from 2nd note in FE

Slur from 1st note in GE & EE

2 slurs suggested by the editors
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category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 336-337

composition: Op. 16, Rondo in E♭ major

Slur in FE (→GE) & EE2 (→EE3)
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In EE1, there is no slur in the L.H. It was added already by the reviser of EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in EE

b. 341

composition: Op. 16, Rondo in E♭ major

e3 in FE (→GE1,EE1)

d3 in GE2 i EE2 (→EE3)
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e​​​​​​​3 as the 5th semiquaver in FE (→GE1,EE1) is almost certainly a mistake – disturbing a regular progression is both harmonically and melodically unjustified. The engraver's mistake could have been provoked by resemblance of the 2nd half of that bar to the 1st half of the next one – such a hypothesis is confirmed by visible traces of removal of the  from before a3, the 7th semiquaver in bar 341, in FE. The revisers of GE2 and EE2 (→EE3) corrected that note.  

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , GE revisions