Issues : Inaccuracies in GE
b. 384-385
|
composition: Op. 16, Rondo in E♭ major
..
In GE and EE, the earlier placement of the markings is unintentional, resulting from an inept layout of text. There is a similar situation in bars 392-393. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
||||||||||||
b. 385-386
|
composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources; Editorial revisions issues: Long accents , Inaccuracies in GE |
||||||||||||
b. 387
|
composition: Op. 16, Rondo in E♭ major
category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |
||||||||||||
b. 392-393
|
composition: Op. 16, Rondo in E♭ major
..
As in bars 384-385, the earlier placement of the markings in GE is unintentional, resulting from an inept layout of text. category imprint: Differences between sources issues: Inaccuracies in GE |
||||||||||||
b. 396-399
|
composition: Op. 16, Rondo in E♭ major
..
Small differences in range of the hairpins in FE in bars 396-399 (as well as 400-401) are haphazard in nature and unintentional. Therefore, in the main text, we unify them following the example of the signs in bars 398 and 401, which, according to us, convey a possible meaning of those marks best – they serve as long accents, emphasisng the seventh of the diminished seventh chord (the 1st note of each group of four semiquavers) with regard to its resolution (the 3rd note). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Errors in EE |