Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 16, Rondo in E♭ major
The cut of the bars after the fermata is present in FE (→GE,EE) and was most probably present already in [A]. We reproduce it in the main text, since it was certainly intended by Chopin and has a musical meaning – it emphasises the fermata and the following change of character (a tempo, 
, dolce). There is a similar situation in bar 290.
Compare the passage in the sources »
category imprint: Source & stylistic information
notation: Shorthand & other
