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Issues : Authentic corrections of FE
b. 227
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composition: Op. 22, Polonaise
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Just like in b. 223, the version of EE1 is probably Chopin's mistake adopted from a proof copy of FE. The natural raising a category imprint: Differences between sources issues: EE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign |
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b. 228
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composition: Op. 22, Polonaise
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Just like in b. 224, the cautionary flats before a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 243-247
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composition: Op. 22, Polonaise
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Just like in b. 223 and 227, the version of EE1 in b. 243 and 247 is probably Chopin's mistake adopted from a proof copy of FE. The natural raising a category imprint: Differences between sources issues: EE revisions , Omission of current key accidentals , Authentic corrections of FE , Last key signature sign |
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b. 244-248
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composition: Op. 22, Polonaise
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EE1 is lacking in the cautionary flats before a category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE |
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b. 273-274
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composition: Op. 22, Polonaise
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The difference in the length of the accents, visible in FE between the accent in b. 273 & the 2nd accent in b. 274 and the remaining accents in b. 274-276, does not necessarily mean that they should be diversified. It may be a result of a different origin of these two accents, which were probably added only just in the last stage of proofreading of FE (it is supported by their absence in EE). The latter was inaccurately reproduced in GE1, which was then corrected in GE2 (→GE3). category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Long accents , Inaccuracies in GE , GE revisions , Authentic corrections of FE |