Issues : Errors in GE

b. 149

composition: Op. 22, Polonaise

Accent in FE (→GE1,EE)

No mark in GE1a (→GE2GE3)

..

Due to the graphic retouches of this fragment of the page, GE1a overlooked the accent over the last R.H. quaver, which was also repeated in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors resulting from corrections , Errors in GE

b. 149

composition: Op. 22, Polonaise

..

Due to the graphic retouches of this fragment of the page, GE1a is lacking in demisemiquaver secondary beams in the R.H. beams on the 2nd and 3rd beats of the bar.

category imprint: Interpretations within context; Differences between sources

issues: Errors resulting from corrections , Errors in GE

b. 169

composition: Op. 22, Polonaise

on 2nd beat in FE (→EE)

at end of bar in GE

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The  mark having been placed at the end of the bar in GE is an arbitrary and undoubtedly erroneous revision. In this edition, the pedalling markings were similarly erroneously reproduced also in b. 170, 171 and 172.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 176

composition: Op. 22, Polonaise

b1 tied in FE (→GE1,EE)

b1 repeated in GE2 (→GE3)

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The missing tie of b1 is almost certainly an oversight of the engraver of GE2 (→GE3) – the tie in GE1 blends in with the stave, whereas in GE1a it is actually imperceptible.

category imprint: Differences between sources

issues: Errors in GE

b. 176

composition: Op. 22, Polonaise

Wedge in FE (→EE)

No mark in GE

..

The missing wedge in GE may be an oversight.

category imprint: Differences between sources

issues: Errors in GE