Issues : Errors in FE
|
b. 151
|
composition: Op. 22, Polonaise
..
All sources feature a quaver at the beginning of the bar, as a result of which the bar includes 13 semiquavers. It cannot be excluded that the mistake was already in [A]. category imprint: Interpretations within context issues: Errors in FE , Rhythmic errors , Errors repeated in GE , Errors repeated in EE |
|
|
b. 220
|
composition: Op. 22, Polonaise
..
Just like in b. 76, the dyad of the bottom voice (e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
|
|
b. 237
|
composition: Op. 22, Polonaise
..
In FE (→GE), there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE , Errors repeated in EE |
|
|
b. 241
|
composition: Op. 22, Polonaise
..
There is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , GE revisions |
|
|
b. 257
|
composition: Op. 22, Polonaise
..
In FE (→GE), there is no category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Errors in FE , Omissions to cancel alteration , Errors repeated in GE |
1-a1) in 
restoring g2 on the 8th semiquaver. The patent mistake was corrected in 
restoring b
before the 
mark at the end of the 1st half of the bar in