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b. 150
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composition: Op. 22, Polonaise
..
FE are lacking in the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals |
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b. 150
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composition: Op. 22, Polonaise
..
The flats in the second R.H. figure were added only in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves |
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b. 150
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composition: Op. 22, Polonaise category imprint: Differences between sources issues: Long accents , GE revisions , EE inaccuracies |
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b. 151
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composition: Op. 22, Polonaise
..
All sources feature a quaver at the beginning of the bar, as a result of which the bar includes 13 semiquavers. It cannot be excluded that the mistake was already in [A]. category imprint: Interpretations within context issues: Errors in FE , Rhythmic errors , Errors repeated in GE , Errors repeated in EE |
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b. 152
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composition: Op. 22, Polonaise
..
In the main text we suggest a long accent after an analogous situation in b. 150. The mark was also added in EE; however, a short accent was used (like in the vast majority of cases). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
before the 1st L.H. quaver. The patent mistake was corrected in the remaining editions.
] suggested by the editors