Issues : GE revisions
b. 19
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composition: Op. 22, Polonaise
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In the main text we add a cautionary before a2. The accidental was also added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 25
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composition: Op. 22, Polonaise
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In the main text we put the asterisk under the 2nd beat of the bar, in accordance with FE (→EE). The fact that the mark was placed later in GE2 (→GE3) could have been an attempt to reconcile the markings of FE in this bar with the ones in analogous b. 63. category imprint: Differences between sources issues: GE revisions |
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b. 26
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composition: Op. 22, Polonaise
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In the main text we add a cautionary before b and a before f3. The accidentals were also added in GE3. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 27
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composition: Op. 22, Polonaise
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The missing asterisk must be considered an inaccuracy, hence in the main text we suggest adding this mark after b. 25. The same applies to analogous b. 171. A mark was added in EE as well as in GE2 (→GE3), although slightly moved. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 31
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composition: Op. 22, Polonaise
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The mark, which bears all characteristics of a long accent in FE, was interpreted in the remaining editions as a hairpin. It is evidenced by the fact that the mark was being extended, which is particularly clear in GE2 (→GE3) and EE; the aim could have been to partially adjust the mark to the longer mark in the preceding bar. category imprint: Differences between sources issues: Long accents , EE revisions , Inaccuracies in GE , GE revisions |