Slurs
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b. 74
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composition: Op. 22, Polonaise
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The change of the slurring scheme, which distorts the natural pianistic gesture, is inconceivable in such a virtuoso sequence. Due to this reason, in the main text we correct the undoubtedly erroneous slurs of the sources. A similar situation can be found in b. 218. category imprint: Editorial revisions issues: Errors in FE |
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b. 75-76
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composition: Op. 22, Polonaise
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In FE (→GE) the slur started in b. 75, the last on the page, has no ending in b. 76. The inaccuracy was corrected in EE. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in FE , Uncertain slur continuation , Errors repeated in GE |
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b. 78-79
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composition: Op. 22, Polonaise
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The slurs combining the bass octaves at the transition between b. 78 and 79 are marked inaccurately in FE – in b. 78, which closes the page, there is only the slur that runs from d category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , Uncertain slur continuation |
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b. 78
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composition: Op. 22, Polonaise
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Due to the graphic retouches performed in this fragment of the page, GE1a overlooked the slurs over the last two pairs of octaves in the ascending L.H. sequence. See the description of this impression. category imprint: Differences between sources |
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b. 82-83
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composition: Op. 22, Polonaise
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In the context of b. 78-79, the missing slurs in FE (→GE) must be an inaccuracy of the engraver of FE or of Chopin himself. In the main text we suggest adding them in the form adopted 4 bars earlier. The slurs were also added in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
, whereas in b. 79 there are 2 slurs on the bottom stave, reaching c and C. Therefore, it is highly likely that, like the motifs in b. 77 and 81, Chopin marked the discussed pair with two slurs between the parts of both hands. In the main text we move these slurs outside the text, which seems to be clearer. 
