mUltimate Chopin

Op. 22, Polonaise

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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 244

composition: Op. 22, Polonaise

No marks in FE (→GE,EE)

Staccato dots suggested by the editors
..

Just like in b. 224, in the main text we add staccato dots under the last two quavers after analogous b. 228 and 248.

category imprint: Editorial revisions

b. 268

composition: Op. 22, Polonaise

No mark in FE (→GE,EE)

Wedge suggested by the editors
..

In the main text we suggest adding a wedge after analogous b. 264.

category imprint: Editorial revisions

b. 273-274

composition: Op. 22, Polonaise

2 long accents in FE & GE2 (→GE3)

Long & short accents in GE1

No accents in EE

Short accents suggested by the editors
..

The difference in the length of the accents, visible in FE between the accent in b. 273 & the 2nd accent in b. 274 and the remaining accents in b. 274-276, does not necessarily mean that they should be diversified. It may be a result of a different origin of these two accents, which were probably added only just in the last stage of proofreading of FE (it is supported by their absence in EE). The latter was inaccurately reproduced in GE1, which was then corrected in GE2 (→GE3).

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Long accents , Inaccuracies in GE , GE revisions , Authentic corrections of FE