b. 129
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composition: Op. 22, Polonaise
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In the main text we add cautionary naturals before g3 and g. category imprint: Editorial revisions |
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b. 130
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composition: Op. 22, Polonaise
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EE1 features the initial version of the 6th semiquaver, changed in the penultimate stage of proofreading of FE (→GE). The changes of the correction performed on the plate are clearly visible in FE. In addition, the changed note (b1) was provided with a cautionary , which we omit in the main text, since it is superfluous in this context. The accidental was also removed in GE; it is also absent in EE2, in which the corrected note was introduced probably on the basis of GE1. category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Main-line changes |
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b. 130
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composition: Op. 22, Polonaise
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In addition to the authentic cautionary before the e2 semiquaver, in the main text we add flats before the L.H. octave. category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
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b. 131-132
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composition: Op. 22, Polonaise
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The fact that dim. appears earlier is probably the initial version of this fragment's dynamics, changed by Chopin in the penultimate stage of proofreading of FE (→GE). In addition to moving this indication, Chopin probably added a long accent at the beginning of b. 132, emphasising the moment from which the diminuendo should begin. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 132
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composition: Op. 22, Polonaise
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In GE1 the minim is printed at the pitch of e1, however, the ledger line below the note is missing, as a result of which it looks like c1. Consequently, GE2 (→GE3) features here c1, which is a mistake. category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE |