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b. 124

composition: Op. 22, Polonaise

..

In FE (→GE1), there is not a single accidental under the octave sign. The patent inaccuracy – the preceding flats before d2 and g2 were considered sufficient – was corrected in EE and – partially – in GE2 (→GE3), in which a  was added only before g3.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions

b. 125

composition: Op. 22, Polonaise

in GE & EE

No sign in FE

..

The missing  mark must be an inaccuracy of FE (it is the last bar in the line), corrected both in GE and EE.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark

b. 125

composition: Op. 22, Polonaise

..

In the main text we add a cautionary  before G

category imprint: Editorial revisions

b. 125

composition: Op. 22, Polonaise

Quavers in FE (→EE1)

Semiquavers in GE & EE2

..

Semiquavers instead of small quavers are an arbitrary revision of GE. This inauthentic version was also introduced in EE2, most probably on the basis of comparison with GE1. The same in b. 126.

category imprint: Differences between sources

issues: EE revisions , GE revisions

b. 126

composition: Op. 22, Polonaise

Quavers in FE (→EE1)

Semiquavers in GE & EE2

..

Just like in b. 125, the version of GE is an arbitrary decision of the engraver, repeated in EE2.

category imprint: Differences between sources

issues: EE revisions , GE revisions