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Issues : GE revisions
b. 52
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composition: Op. 22, Andante spianato
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In the main text we begin the slur in accordance with the most likely interpretation of FE (→GE1,EE). However, it is not a guarantee that the interpretation of [A] would have yielded the same result, hence the version of GE2 (→GE3), although being a result of a revision, may be considered a potentially authentic variant. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 52
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composition: Op. 22, Andante spianato
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 55-62
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composition: Op. 22, Andante spianato
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The accents in b. 55-56 and 59-62 are undoubtedly short in FE, such as in b. 52. In spite of that, GE1 gives here bigger accents, such as in the preceding cantilena section, which is probably inadvertence (the second German edition introduced short accents, like in entire Andante). The introduction of vertical accents is a frequent discretion of EE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , GE revisions |
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b. 56
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composition: Op. 22, Andante spianato
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The change of the 10th note from f category imprint: Differences between sources issues: GE revisions |
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b. 62-63
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composition: Op. 22, Andante spianato
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In GE the sempre dim. indication was subjected to minor editorial actions: the dim. abbreviation was extended to dimin. and it was moved to b. 62, closer to sempre. Formally, the changes do not influence the meaning of the indication, since the word sempre ensures its validity to the end of this section; however, they slightly impair the visual impression of extension of the range of its validity. category imprint: Differences between sources issues: GE revisions |