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b. 140

composition: Op. 19, Bolero

Fingering in FEO, literal reading

Fingering in FEO, probable interpretation

Fingering in FEO, possible interpretation

No teaching fingering

..

The interpretation of the fingering written in FEO is not certain. The digits written therein imply a division of the passage between the hands, different from the one following from the printed layout of beams; however, it was not marked in any way – all digits are above the notes. Therefore, it cannot be excluded that, on the 2nd crotchet in the bar, digits for the 2nd and 3rd semiquavers were swapped by mistake. 

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FEO

b. 141

composition: Op. 19, Bolero

..

GE has a  before the last semiquaver in the L.H. This erroneous accidental was present also in FE, yet it was removed in the last phase of proofreading.

category imprint: Differences between sources

issues: FE revisions , Errors repeated in GE

b. 141

composition: Op. 19, Bolero

..

In GE, there is no  returning eon the penultimate semiquaver in the R.H. The mistake was most probably also in FE, where it was corrected in the last phase of proofreading. Similarly, in bar 173.

category imprint: Differences between sources

issues: Omissions to cancel alteration , FE revisions , Errors repeated in GE

b. 141

composition: Op. 19, Bolero

Fingering in FEO

No teaching fingering
 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEO

b. 141

composition: Op. 19, Bolero

Fingering in FEO

No teaching fingering
 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEO