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Issues : Foreign hand additions in manuscripts
b. 54
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composition: Op. 21, Concerto in F minor, Mvt III
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A has an additional note, E category imprint: Interpretations within context; Differences between sources issues: Foreign hand additions in manuscripts , Errors of A , Authentic corrections of GE |
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b. 57
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composition: Op. 21, Concerto in F minor, Mvt III
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The notation of the last chord in the R.H. in A is surprising – over three g1-e2-g2 notes there is also a fourth one, more or less at the pitch of c3 or d3, but devoid of ledger lines, so it is unknown what note it should represent. At the same time, it is not one of the blots copied from the adjacent page, of which there are several in the next bars. According to us, it is a mistakenly boldened random ink spill or a staccato dot. The latter seems to be supported by the presence of such a dot in GE1; however, the dot in GE1 may be explained by another kind of mistake – see the adjacent note. category imprint: Source & stylistic information |
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b. 310
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composition: Op. 21, Concerto in F minor, Mvt III
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The natural raising a category imprint: Interpretations within context; Differences between sources issues: Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 313-314
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A |
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b. 347
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composition: Op. 21, Concerto in F minor, Mvt III
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In A, the flat restoring e category imprint: Interpretations within context; Differences between sources issues: GE revisions , Foreign hand additions in manuscripts |