mUltimate Chopin

Op. 21, Concerto in F minor, Mvt III

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b. 119

composition: Op. 21, Concerto in F minor, Mvt III

g2 in A

e2-g2 in GE (→FE→EE)
..

The missing e2 on the penultimate quaver in the bar is almost certainly Chopin's mistake, corrected by him in GE (→FE→EE).

category imprint: Differences between sources

issues: Authentic corrections of GE

b. 120

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we omit cautionary flats before d2 and d1, unnecessary in this context, written in A and repeated in all editions.

category imprint: Differences between sources

issues: Cautionary accidentals , Last key signature sign

b. 122

composition: Op. 21, Concerto in F minor, Mvt III

..

The cautionary flats before B and b at the beginning of the bar were added in the proofreading of FE (→EE). It seems to be likely that it was done by Chopin, who introduced cautionary flats before e and e1 in an analogous situation in the next bar already in A.

category imprint: Differences between sources

issues: Cautionary accidentals , Authentic corrections of FE

b. 124

composition: Op. 21, Concerto in F minor, Mvt III

g1(2) in A (→GE)

g1(2) in FE (→EE)
..

In the main text, we give g1(2) as the 4th quaver in bar 124, introduced by Chopin in the proofreading of FE (→EE). The composer also took care of cautionary naturals before g2(3) in the next bar. The version of A (→GE) is most probably erroneous – if Chopin wanted to have a g1(2) in this place, he would have probably used the diminished chord B-e-g-d1 in the orchestral accompaniment.

 

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 126

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we add cautionary flats before e2 and e3.

category imprint: Editorial revisions