Pitch
b. 135
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composition: Op. 21, Concerto in F minor, Mvt III
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It is difficult to say what the c3 crotchet (grace note?), written in A over the d1-e1 second at the beginning of the bar, means. It is not corresponded by any note in Morch, it was not included in the editions either. In this situation, we regard this inexplicable, from the point of view of melody and harmony, note as a mistake. category imprint: Source & stylistic information issues: Errors of A |
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b. 167
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composition: Op. 21, Concerto in F minor, Mvt III
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The cautionary naturals before g2 and g1 were added in GE (→FE→EE). It could have been performed at Chopin's request. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 191
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of FE (→EE) is undoubtedly a Chopin improvement, introduced in the proofreading of FE1. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 194
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composition: Op. 21, Concerto in F minor, Mvt III
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In A (→GE1→FE) there are no accidentals before the last two quavers. This patent inaccuracy was corrected in EE and GE2. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 195
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no lowering c1 to c1. This patent oversight was corrected already in GE1 (→FE→EE, →GE2), perhaps by Chopin. Moreover, a cautionary before c1 was added in the next bar. category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of GE |