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b. 33

composition: Op. 21, Concerto in F minor, Mvt III

Separate slurs in A

Continuous slur in GE (→FEEE)

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The division of the slur in A is probably the original version, left due to deletions and inability to write a continuous slur in a graceful way. However, such slur is in the L.H. and in GE (→FEEE), where Chopin's possible intention was interpreted correctly.

category imprint: Differences between sources

issues: Corrections in A , Errors resulting from corrections , GE revisions

b. 33

composition: Op. 21, Concerto in F minor, Mvt III

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In A, Chopin wrote the text of bar 35 in the part of the R.H. by accident. Having noticed his mistake, he deleted it and wrote the correct text on an adjacent stave.

category imprint: Source & stylistic information

issues: Corrections in A

b. 35-41

composition: Op. 21, Concerto in F minor, Mvt III

No L.H. slur in A (→GE1FE)

Slur to end of bar 40 in EE

Slur to beginning of bar 41 in GE2

Slur to bar 41 suggested by the editors

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In the main text we suggest adding the slur in the L.H. – slurs in the L.H. are present both before and after this phrase, hence a missing slur could suggest a difference in performance between the right and left hand, which certainly was not Chopin's intention. When the phrase returns in bars 379-385, the slur in the L.H. is also absent, but in this case, Chopin consistently gave slurs only in the R.H. in the entire fragment in unison (bars 377-388). A similar addition was introduced already in EE as well as in GE2.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , GE revisions

b. 35

composition: Op. 21, Concerto in F minor, Mvt III

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In FE all 5 notes in the part of the R.H. are combined with a quaver beam. The patent mistake was corrected in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Rhythmic errors

b. 39

composition: Op. 21, Concerto in F minor, Mvt III

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In the main text we omit the poorly justified cautionary flats before d1 and d2. Chopin could have feared that the naturals raising e1(2) to e1(2) could also suggest the use of d1(2). Cautionary flats before d, following e, are present also in bar 43, 383 and 387. In the first of them, the unnecessary sign was removed in the proofreading of FE, perhaps by Chopin himself.

category imprint: Editorial revisions

issues: Cautionary accidentals , Last key signature sign