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Issues : Omission of current key accidentals
b. 310
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composition: Op. 21, Concerto in F minor, Mvt III
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The natural raising a category imprint: Interpretations within context; Differences between sources issues: Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A , Authentic corrections of GE |
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b. 313-314
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there is no category imprint: Interpretations within context; Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A |
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b. 363-364
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composition: Op. 21, Concerto in F minor, Mvt III
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Four necessary flats lowering g to g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
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b. 404
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of GE1 (→FE→EE) is almost certainly erroneous – breaking the octave line of the topmost voice is totally unjustified in this case. Therefore, in the main text we preserve the version of A. This evaluation remains unchanged in the face of the addition of a category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Omission of current key accidentals , Errors of A |
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b. 422-423
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composition: Op. 21, Concerto in F minor, Mvt III
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When interpreted literally, the version of A (→GE1→FE1) is certainly erroneous, although both bars are written in the same way for the second time (bars 462-463). It is proved by the B category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE |