



b. 240
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A (→GE), there is an unjustified cautionary category imprint: Differences between sources; Editorial revisions |
||||||||
b. 241-242
|
composition: Op. 21, Concerto in F minor, Mvt III
..
In A there are no flats lowering g1 to g category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A |
||||||||
b. 241
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing staccato dot in GE (→FE→EE) is almost certainly a consequence of the oversight of the engraver of GE1. category imprint: Differences between sources issues: Errors in GE |
||||||||
b. 241-242
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The missing tie of g category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |
||||||||
b. 243-244
|
composition: Op. 21, Concerto in F minor, Mvt III
..
There is an evident non-compliance of the part of the L.H. in A with the cello and double bass sequence in Morch within ½A: category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Authentic corrections of GE |