Rhythm
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b. 35
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE all 5 notes in the part of the R.H. are combined with a quaver beam. The patent mistake was corrected in EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Rhythmic errors |
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b. 53-55
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE1, the ties of c2 were reproduced literally, as short, horizontal, little ties preceding the c2 crotchets at the beginning of bars 54 and 55. The notation was misunderstood in FE (→EE), by assigning the curved lines to the bottom notes of chords, g1-a category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 55-56
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composition: Op. 21, Concerto in F minor, Mvt III
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Replacing the tie of c3 with an e2-f2 phrase mark is a result of a misunderstanding of A by the engraver of GE1 (→FE→EE). The correct text was restored in GE2. Cf. bars 53-55. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 57-59
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composition: Op. 21, Concerto in F minor, Mvt III
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The ties of c2 were overlooked in GE1 (→FE→EE). One can assume that, just like in analogous bars 397-399 and 401-403, the engraver of GE1 did not understand the correct meaning of these ties and identified them with phrase marks he put next to the top notes of the pairs of chords. In GE2, the ties were reproduced correctly. See also bars 53-55. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 80
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: Errors in GE , GE revisions |
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