Pitch
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b. 398
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 401
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composition: Op. 21, Concerto in F minor, Mvt III
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An additional c2 in the chord must be a mistake, since the note does not result from the link to the previous chord; it unnecessarily precedes the next, accented minim. We are most probably dealing with an unfinished proofreading of a major mistake – the traces of removing c3 visible in this place in FE may indicate that it was the 1st chord from the previous bar, c2-f2-c3, that was printed here in the first place. While proofreading this mistake, both missing notes were added (f1-a category imprint: Differences between sources |
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b. 403
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composition: Op. 21, Concerto in F minor, Mvt III
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Originally, the 2nd crotchet in the bar in A was a c2-f2-c3. Chopin changed the middle note from f2 to e category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections , Errors in GE , GE revisions |
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b. 404
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composition: Op. 21, Concerto in F minor, Mvt III
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The version of GE1 (→FE→EE) is almost certainly erroneous – breaking the octave line of the topmost voice is totally unjustified in this case. Therefore, in the main text we preserve the version of A. This evaluation remains unchanged in the face of the addition of a category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Omission of current key accidentals , Errors of A |
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b. 404
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composition: Op. 21, Concerto in F minor, Mvt III
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A c3 note added to the chord must be a Chopinesque proofreading of FE (→EE). See also the note in the next bar. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
1), but it was only c3, going beyond the target chord, hence easier to remove, that was deleted.
, overlooked by Chopin, raising d
