mUltimate Chopin

Op. 21, Concerto in F minor, Mvt III

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b. 313

composition: Op. 21, Concerto in F minor, Mvt III

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The  before the top note at the beginning of the bar in FE1 was overlooked. The mistake was corrected in FE2 (→EE).

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , FE revisions

b. 313-314

composition: Op. 21, Concerto in F minor, Mvt III

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In A there is no  raising d1 to d1 on the 4th quaver in bar 313, whereas the signs in bar 314 were added with pencil. In spite of the obvious accuracy of these additions, their authenticity is not certain, since other additions made with pencil in A were added rather by a foreign hand – cf. bar 256 and 310. All sources include a  raising d1 to d1 in the last quaver in bar 313. We omit this sign in the main text, since after the oversight on the 4th quaver had been corrected, it became superfluous.

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A

b. 315

composition: Op. 21, Concerto in F minor, Mvt III

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Similarly as in bar 311, Chopin wrote the necessary naturals in A (→GE1→FE) only in the first triplet (in both hands). In this bar, the necessary additions were introduced only in EE and GE2.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A

b. 318

composition: Op. 21, Concerto in F minor, Mvt III

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In the main text we add a cautionary  before g3.

category imprint: Editorial revisions

b. 319

composition: Op. 21, Concerto in F minor, Mvt III

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The cautionary flat before d3 was added in GE (→FE→EE). It may be a revision; however, it is worth observing that four bars later, a corresponding sign in an analogous figure is written already in A. 

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals