mUltimate Chopin

Op. 21, Concerto in F minor, Mvt III

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Pitch

b. 323

composition: Op. 21, Concerto in F minor, Mvt III

..

The cautionary flat before b1 was added in the proofreading of FE (→EE) as well as in GE2. In the case of FE, one cannot exclude Chopin's intervention, although the revision of GE2 proves that such an addition could have also been performed by the reviser.

category imprint: Differences between sources

issues: GE revisions , Cautionary accidentals , FE revisions

b. 324

composition: Op. 21, Concerto in F minor, Mvt III

..

In the main text we omit the cautionary  before d2. It may be a remaining element of an earlier orthography of the previous triplet, in which the top notes were written as d2, same as in bar 320.

category imprint: Editorial revisions

issues: Cautionary accidentals

b. 327

composition: Op. 21, Concerto in F minor, Mvt III

Grace note c2 in A (→GE) & EE

Grace note a1 in FE
..

The version of FE, although generally possible, is most probably a mistake – cf. bar 3. It was considered a Terzverschreibung error already in EE.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error

b. 329

composition: Op. 21, Concerto in F minor, Mvt III

..

There is no  before the 3rd third in A (→GE→FE→EE1→EE2). Chopin's oversight is proved by a present both in the cello part in Morch and analogous bar 5. The sign was added in EE3, probably on the basis of the indicated analogy.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors of A

b. 334

composition: Op. 21, Concerto in F minor, Mvt III

..

In A one can see a correction of the bottom note of the last crotchet in the L.H. Chopin initially wrote a b which he then reworked into a c1 and added names of both notes for the sake of clarity – c-g. According to us, it is probably a correction of an erroneously written version of the accompaniment (cf. bar 326) and not a change implying an improvement.

 

category imprint: Corrections & alterations

issues: Corrections in A