GE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 492

g-b in [ReF] & A (contextual interpretation)

in A (literal reading→GEFEEE)

e-b in Morch

When interpreted literally, the last crotchet in the L.H. in A includes only three notes, c-g-c1. It is most probably a mistake, resulting from b and cmerging into one note. This assumption is confirmed by such a sound of the chord in [ReF]. This empty sounding version was repeated in all editions. As the version of Morch, we give a chord in a format adopted by Chopin in the previous chords, corresponding with its harmonic content to the full chord in the orchestra. According to us, it is the most naturally sounding version in this context due to the use of a full four-note seventh chord, hence we adopt it to the main text. 

Compare the passage in the sources »

See b. 492

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Errors of A

notation: Pitch

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