GE
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 412

in A

in GE (→FEEE)

In the main text we preserve the unambiguous notation of the rhythm of A. Moving a semiquaver outside the last quaver of the triplet in the bottom voice is an arbitrary action characteristic of GE (→FEEE). The Breitkopf & Härtel publishing house would consistently apply a "mathematical" layout to such groups, denying the currency of the convention used by Chopin even in these places where the notation resulting from such a layout (as the discussed one) was absurd from the pianistic point of view, cf. the Nocturne in C minor, op. 27 no. 1, bars 5-13.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, Dotted rhythms and triplets, Errors repeated in FE, Errors repeated in EE

notation: Rhythm

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