GE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 236-237

 in bar 237 in A (→GEFE)

  in EE

Our variant suggestion

In the authentic sources, there is no  sign after  in bar 235. It is probably an oversight, quite frequent at the end of a page (bar 236 is the last one on the page in A). The moment of pedal release was specified in EE, which, however, is almost certainly a routine revision. According to us, a different scenario is also possible: the  sign in bar 237 was written in A by mistake, without taking into account the context of the previous bars, based on the same chord. Performing bars 235-237 with one pedal sounds natural and is compatible with the   signs, improving the ascending and descending shape of the figuration in the R.H. Due to this reason, in the main text we leave the inclusion of pedal change at the beginning of bar 237 to the discretion of the performer.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, No pedal release mark

notation: Pedalling

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