A
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 205

Long accent in A, contextual interpretation

 in GE (→FEEE)

The  sign under the 1st triplet in the R.H. is to be interpreted as a long accent, according to us. In the editions it was extended to the middle of the last triplet, which suggests performing the first part of this sequence diminuendo, certainly contrary to Chopin's intention.

In A one can see a deletion of the long accent over the part of the R.H. in this place. Similarly, in bar 207.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations

issues: Long accents, Inaccuracies in GE, Corrections in A, GE revisions

notation: Articulation, Accents, Hairpins

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