b. 224
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composition: Op. 21, Concerto in F minor, Mvt III category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals |
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b. 224
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing slur in the majority of the editions is certainly a result of inaccuracy of the engraver of GE1. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 225-226
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composition: Op. 21, Concerto in F minor, Mvt III
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Three naturals are missing in A – before the bottom note of the 1st octave in bar 225 and before the last quaver in bar 225 (a1) and 226 (b1). These patent inaccuracies were corrected in GE (→FE→EE). category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 225-227
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composition: Op. 21, Concerto in F minor, Mvt III
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The division of the slur into 3 parts – contrary to the unmistakable notation of A – is an example of a characteristic manner of the engraver of GE1, who avoided long slurs. GE2 restored the notation of A. category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |
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b. 227
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composition: Op. 21, Concerto in F minor, Mvt III
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Chopin wrote four cautionary flats in A – three at the beginning of the bar and a fourth one before d3. The signs were repeated in GE, whereas in FE (→EE1) the flats before the octave in the L.H. were overlooked. These were in turn restored – most probably on the basis of comparison with GE1 – in EE2 (→EE3). In the main text we add five cautionary signs more, before b2, b1, c3, e3 and d2. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , FE revisions , Last key signature sign |