Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


b. 7

composition: Op. 21, Concerto in F minor, Mvt III

3 fingering digits in A (→GE) & EE2 (→EE3)

1 digit in FE (→EE1)

..

The first two fingering digits missing in this bar is certainly an oversight of FE (→EE1). The digits were added in EE2 (→EE3).

category imprint: Differences between sources

issues: EE revisions , Errors in FE

b. 7

composition: Op. 21, Concerto in F minor, Mvt III

Minims in A (→GE1FEEE)

Dotted minims in GE2

category imprint: Differences between sources

issues: GE revisions

b. 11

composition: Op. 21, Concerto in F minor, Mvt III

Sixth in A & GE2

f2 in GE1

a1-f2 in FE (→EE)

..

The a1-fgrace note is written inaccurately in A – the fragment of the stem combining both notes of the sixth is missing. It most probably contributed to the omission of the bottom note, a1, in GE1. The mistake was corrected by Chopin in FE (→EE) analogously to bar 27, a solution we adopt in the main text. The version of A can be considered an equal variant, since, although being earlier, it was never directly replaced by Chopin.

category imprint: Graphic ambiguousness; Differences between sources

issues: Errors in GE , Authentic corrections of FE , Inaccuracies in A

b. 11

composition: Op. 21, Concerto in F minor, Mvt III

Fingering written into FED

No teaching fingering

..

The same fingering is written in FED twice, in bars 81 and 83. The digits written by Chopin were probably overwritten by the pupil, so that they were more visible.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 16

composition: Op. 21, Concerto in F minor, Mvt III

No marking in sources

[] suggested by the editors

..

In the main text we suggest  written by Chopin in analogous bar 340. It is highly likely that omission of this indication in the discussed bar was not intended by the composer, but resulted from distraction at the transition to a new page of the manuscript.  

category imprint: Editorial revisions