b. 502
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composition: Op. 21, Concerto in F minor, Mvt III
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In FE (→EE1→EE2) the bottom note of the chord is an erroneous e (corrected only in EE3). In A (→GE) the text is correct. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors repeated in EE |
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b. 502
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composition: Op. 21, Concerto in F minor, Mvt III
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In the sources there is no sign to release the pedal started in bar 494. According to us, a pedal held more or less to the indicated place sounds good. See bars 494-502. category imprint: Editorial revisions |
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b. 503-504
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composition: Op. 21, Concerto in F minor, Mvt III
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In GE1 (→FE), bar 503 is the last one in the line. However, contrary to GE1, the notation of the slur in FE is erroneous – the slur in bar 503 ends on the last quaver, although the beginning of the slur in bar 504 suggests continuation. EE interpreted it as an inaccuracy of the slur in bar 504 and separated the slur at the transition between these bars. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 503-505
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composition: Op. 21, Concerto in F minor, Mvt III
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Nothing indicates the authenticity of the slurs in the L.H. added in EE – they actually correspond to the slurs in the R.H. with their division at the transition between bars 503-504 resulting from accumulation of inaccuracies. category imprint: Differences between sources issues: EE revisions |
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b. 504-508
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composition: Op. 21, Concerto in F minor, Mvt III
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In A Chopin wrote naturals before the last note in the bar in four places – e and e1 in bar 504, E in bar 505 and e3 in bar 508. Not only did GE1 repeated these signs, but it also added corresponding naturals in the R.H. in bars 505 and in the L.H. in bar 508. The unnecessary signs were removed in FE (→EE) and partially also in GE2 (only in bar 508). category imprint: Editorial revisions issues: GE revisions , Cautionary accidentals , Authentic corrections of FE , Last key signature sign |