Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 21, Concerto in F minor, Mvt III
Main text
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Main text
½A
- Semi-autograph
A
- Autograph of the piano part
Morch
- Manuscript of the orchestra part
GE
- German edition
GE1
- First German edition
GE1a
- Retouched impression of GE1
GE2
- Second German edition
FE
- French edition
FE1
- First French edition
FE2
- Corrected impression of FE1
FED
- Dubois copy
FEJ
- Jędrzejewicz copy
FES
- Stirling copy
EE
- English edition
EE1
- First English edition
EE2
- Revised impression of EE1
EE3
- Corrected impression of EE2
In the sources there is no sign to release the pedal started in bar 494. According to us, a pedal held more or less to the indicated place sounds good. See bars 494-502.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Pedalling