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b. 466
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composition: Op. 21, Concerto in F minor, Mvt III
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The unfinished slur of A does not allow us to state what its final rage should look like, particularly since the next bar is written on an adjacent stave (because of the crossings-out). In particular, it is uncertain whether the literal interpretation of the slur in bar 467 as separated from the previous one (and from the next one) adopted in GE (→FE→EE) is correct. In this situation, we consider the version of the editions to be one of the possibilities; we have chosen the continuous slur written by Chopin in analogous bars 426-427 to the main text. category imprint: Editorial revisions |
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b. 467
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composition: Op. 21, Concerto in F minor, Mvt III
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A simplified notation with respect to analogous bar 427 may result from Chopin's mistake in A. The composer wrote the part of the R.H. from bar 465 by mistake, which he then crossed out, and wrote the correct text on a stave placed directly under the viola part. Consequently, he did not have enough space to point the additional stems upwards. category imprint: Editorial revisions issues: Deletions in A |
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b. 467
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composition: Op. 21, Concerto in F minor, Mvt III
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Due to the crossings-out, the discussed bar is written in A on an adjacent stave, which creates doubts concerning the slur with which it is embraced, i.e. whether it is to be a continuation of the previous slur or not (a similar doubt concerns also the link with the next slur). GE (→FE→EE) started a new slur in this place, whereas the proposal in the main text corresponds to the authentic slurring in analogous bars 426-427. category imprint: Editorial revisions |
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b. 467-468
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composition: Op. 21, Concerto in F minor, Mvt III
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The continuous slur suggested in the main text corresponds to the authentic slurring in analogous bars 427-428. In A (→GE→FE→EE), a new slur begins in bar 468, however, due to crossings-out in bar 467, the notation may be inaccurate – see the note at the beginning of the bar. category imprint: Editorial revisions |
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b. 468
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composition: Op. 21, Concerto in F minor, Mvt III
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There is no apparent reason to suggest performing this bar without pedal the fourth time it occurs. Therefore, in the main text we suggest adding markings after the previous identical bars. category imprint: Editorial revisions |
