Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 21, Concerto in F minor, Mvt III
A
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Main text
½A
- Semi-autograph
A
- Autograph of the piano part
Morch
- Manuscript of the orchestra part
GE
- German edition
GE1
- First German edition
GE1a
- Retouched impression of GE1
GE2
- Second German edition
FE
- French edition
FE1
- First French edition
FE2
- Corrected impression of FE1
FED
- Dubois copy
FEJ
- Jędrzejewicz copy
FES
- Stirling copy
EE
- English edition
EE1
- First English edition
EE2
- Revised impression of EE1
EE3
- Corrected impression of EE2
b. 468
There is no apparent reason to suggest performing this bar without pedal the fourth time it occurs. Therefore, in the main text we suggest adding markings after the previous identical bars.
Compare the passage in the sources »
category imprint: Editorial revisions
notation: Pedalling