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p. 4, b. 41-52
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The addition to the orchestral part's piano reduction suggested by us is based on the similarity of the harmonic scheme of bars 42-43 and 43-44 (excluding the different bass progression on the 2nd beat of bar 42, all instruments have identical parts in Morch). However, since the demisemiquaver figures of the solo part are not identical, the analogy is not strict and the use of a solitary a
1 in bar 44 could have been intended by Chopin.
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category imprint: Editorial revisions
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notation: Pitch
Missing markers on sources:
A, Morch, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, EE1, EE2, EE3