FE1
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
compare
  b. 44

Small a1 in A (→GEFE)

Normal a1 in EE

Sixth suggested by the editors

The addition to the orchestral part's piano reduction suggested by us is based on the similarity of the harmonic scheme of bars 42-43 and 43-44 (excluding the different bass progression on the 2nd beat of bar 42, all instruments have identical parts in Morch). However, since the demisemiquaver figures of the solo part are not identical, the analogy is not strict and the use of a solitary ain bar 44 could have been intended by Chopin.

Compare the passage in the sources »

category imprint: Editorial revisions

notation: Pitch

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