Pitch
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we omit the category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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The absence of a category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
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b. 3
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we add cautionary flats before the b category imprint: Editorial revisions |
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b. 6
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composition: Op. 21, Concerto in F minor, Mvt II
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It is difficult to state whether the omission of the minim sixth at the beginning of the bar is a mistake of the engraver or a result of Chopin's proofreading. According to us, the spread chord beginning the solo part constitutes a sufficient sound equivalent for the played chord ending the orchestra's introduction (cf. the compatible version of bar 96), which may be an argument for an intentional removal of this sixth (it cannot be excluded that, even if the engraver omitted this sixth accidentally, Chopin accepted this version). Whereas the chord of the strings in the version with orchestra is only a background for the entrance of the soloist, playing a sixth in the version for one piano diverts attention from the beginning of the solo part to a certain extent. category imprint: Differences between sources issues: Authentic corrections of GE |
before the top note of the octave. This patent inaccuracy was corrected in 
1 in 
lowering d1 to d
