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Issues : Inaccuracies in A
b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 10
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composition: Op. 21, Concerto in F minor, Mvt II
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In A (→GE1→FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in GE , GE revisions , Inaccuracies in A |
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b. 13
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composition: Op. 21, Concerto in F minor, Mvt II
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Deletions made Chopin rewrite the part of the L.H. on an adjacent stave. In the new notation of the 1st half of the bar, the slur embraces only three quavers (starting from the second). Above the deleted original version there is, however, a slur embracing four quavers, so theoretically one can ponder which one (or maybe both?) is valid. The legible original notation shows that the changes concerned the bass note only, which was initially an A category imprint: Interpretations within context; Differences between sources issues: GE revisions , Inaccuracies in A |
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b. 13
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composition: Op. 21, Concerto in F minor, Mvt II
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In view of the deletions in A one can understand that the engraver of GE (→FE→EE) omitted the category imprint: Graphic ambiguousness; Differences between sources issues: Errors in GE , Inaccuracies in A |
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b. 20
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composition: Op. 21, Concerto in F minor, Mvt II
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The upper arm of the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in A |